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Several generic digital data connection standards are designed to carry audio/video data along with other data and power: USB was designed as a single connector to support all needs, including any generic data, audio/video, power, and more; DisplayLink is its most successful Audio+Video protocol. Until the 3.0 revision, very low data rates ...
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Audio-to-video synchronization (AV synchronization, also known as lip sync, or by the lack of it: lip-sync error, lip flap) refers to the relative timing of audio (sound) and video (image) parts during creation, post-production (mixing), transmission, reception and play-back processing.
The evolution of home audio began with Edison's phonograph, transitioning from monaural to stereophonic sound in the 1950s and 60s when the term "hi-fi" emerged, highlighting sound accuracy and minimal distortion. Audio equipment evolved from large wooden cabinets to compact units. The 1970s introduced enhancements like quadraphonic sound and ...
Another type of normalization is based on a measure of loudness, wherein the gain is changed to bring the average loudness to a target level. This average may be approximate, such as a simple measurement of average power (e.g. RMS), or more accurate, such as a measure that addresses human perception e.g. that defined by EBU R128 and offered by ReplayGain, Sound Check and GoldWave.
DTS-HD Master Audio may be transported to AV receivers in 5.1, 6.1, or 7.1 channels, in full quality, in one of three ways depending on player and/or receiver support: [7] Over 6, 7 or 8 RCA connectors as analog audio, using the player's internal decoder and digital-to-analog converter (DAC).
A video coding format [a] (or sometimes video compression format) is a content representation format of digital video content, such as in a data file or bitstream. It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation .
SOT is an acronym for the phrase sound on tape.It refers to any audio recorded on analog or digital video formats. It is used in scriptwriting for television productions and filmmaking to indicate the portions of the production that will use room tone or other audio from the time of recording, as opposed to audio recorded later (studio voice-over, Foley, etc.).