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The phrase "short, sharp shock" describes a punishment that is severe but which only lasts for a short time. [1] It is an example of alliteration.Although the phrase originated earlier, it was popularised in Gilbert and Sullivan's 1885 comic opera The Mikado, where it appears in the song near the end of Act I, "I Am So Proud". [2]
This process will be sped up if creating sentences using multiple words from the list to construct sentences like "They think it is time to go" - "Ellos piensan que es hora de irse" in Spanish for instance. It is important to learn words in a given context and will make the words easier to remember.
An oxymoron refers to a word, phrase, or use of language that seems to directly contradict itself, and it is believed to come from the Greek oxý (s), “sharp,” and mōrós, “dull.”
A big list will constantly show you what words you don't know and what you need to work on and is useful for testing yourself. Eventually these words will all be translated into big lists in many different languages and using the words in phrase contexts as a resource.
If separating words using spaces is also permitted, the total number of known possible meanings rises to 58. [38] Czech has the syllabic consonants [r] and [l], which can stand in for vowels. A well-known example of a sentence that does not contain a vowel is Strč prst skrz krk, meaning "stick your finger through the neck."
Back-formation is either the process of creating a new lexeme (less precisely, a new "word") by removing actual or supposed affixes, or a neologism formed by such a process. Back-formations are shortened words created from longer words, thus back-formations may be viewed as a sub-type of clipping .
A specific case of semantic change is reappropriation, a cultural process by which a group reclaims words or artifacts that were previously used in a way disparaging of that group, for example like with the word queer. Other related processes include pejoration and amelioration. [11]
For example, although unbelievable and irresponsible have identical stress patterns and the first syllable of each is a separate morpheme, the preferred insertion points are different: un-fuckin'-believable, but irre-fuckin'-sponsible. McCarthy explains this by saying they have different prosodic structures: un(be((lieva)ble)) but (irre ...