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The symbols are: the Lion of Mark, the Eagle of John, the Ox or Calf of Luke and the Angel or Man of Matthew. Often all are shown with wings, as in the familiar winged lion used in the coat of arms of Venice, whose patron saint was Mark. Sometimes, as in the example from Lorsch, the symbols are shown dictating the text to the evangelist.
The tetramorphs were especially common in Early Medieval art, above all in illuminated Gospel books, but remain common in religious art to the present day. In Christian art, the tetramorph is the union of the symbols of the Four Evangelists, derived from the four living creatures in the Book of Ezekiel, into a single figure or, more commonly, a ...
A church monument is an architectural or sculptural memorial to a deceased person or persons, located within a Christian church. It can take various forms ranging from a simple commemorative plaque or mural tablet affixed to a wall, to a large and elaborate structure, on the ground or as a mural monument, which may include an effigy of the ...
The Veil of Veronica (Latin: Sudarium, 'sweat-cloth'), often called simply "The Veronica" and known in Italian as the Volto Santo or Holy Face (but not to be confused with the carved crucifix the Volto Santo of Lucca), is a Christian relic of a piece of cloth which, according to tradition, bears the image of Jesus' face. Various existing images ...
The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy , and so is widely ...
Lion Leopardé ... is a French term for what the English call a Lion passant gardant. The word leopard is always made use of by the French heralds to express in their language, a lion full-faced, or gardant. Thus, when a lion is placed on an escutcheon in that attitude which we call rampant gardant, the French blazon it a Lion Leopardé.
Artistically, these various representations are somewhat crude, and show the decadence of the pagan art of the time. After the recognition of the Church by Constantine I in 313, the Book of Revelation is the source from which are derived most of the decorative themes of Christian Art. The lamb is now the most important of these, and its meaning ...
The lion and sun motif is based largely on astronomical configurations, and the ancient zodiacal sign of the sun in the house of Leo. Lion and sun is a symbol of royalty in Iranian flag and coins. Goddess Anahita was sometimes shown standing on a lion. Lion is also title of the fourth grade of mithraism. [6]