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Conceptual photography is a type of photography that illustrates an idea. There have been illustrative photographs made since the medium's invention, for example in the earliest staged photographs , such as Hippolyte Bayard's Self Portrait as a Drowned Man (1840).
Camera Lucida: Reflections on Photography (French: La Chambre claire, pronounced [la ʃɑ̃bʁ klɛʁ]) is a short book published in 1980 by the French literary theorist and philosopher Roland Barthes. It is simultaneously an inquiry into the nature and essence of photography and a eulogy to Barthes' late mother. The book investigates the ...
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A portable folding reflector positioned to "bounce" sunlight onto a model. Reflectors vary enormously in size, colour, reflectivity and portability. In tabletop still life photography, small mirrors and card stock are used extensively, both to reduce lighting contrast and create highlights on reflective subjects such as glassware and jewelry.
Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion.
Interior of the center. The Center for Creative Photography (CCP), established in 1975 and located on the University of Arizona's Tucson campus, is a research facility and archival repository containing the full archives of over sixty of the most famous American photographers including those of Edward Weston, Harry Callahan and Garry Winogrand, as well as a collection of over 80,000 images ...
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]
In photography, backscatter (also called near-camera reflection [1]) is an optical phenomenon resulting in typically circular artifacts on an image, due to the camera's flash being reflected from unfocused motes of dust, water droplets, or other particles in the air or water.