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This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras. Films that may have been projected onto IMAX screens using a standard 35mm print, such as Star Wars ...
Pages in category "IMAX documentary films" The following 88 pages are in this category, out of 88 total. This list may not reflect recent changes. A.
IMAX cameras and film stock are rarely used for mainstream films; the cameras are heavy and the film stock is expensive. However, since 2002, some feature films shot with IMAX digital cameras or on original 35mm film stock have undergone IMAX Digital Media Remastering (DMR) processing for showing both in 70mm IMAX theaters and in IMAX Digital ...
Nothing makes me cry like a good documentary.There's a new one on Netflix, titled Daughters, that features a father-daughter dance between young girls and their incarcerated loved ones.The film ...
Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps segments on DVD and Blu-ray. 1999 The Blair Witch Project: Daniel Myrick, Eduardo Sanchez: English Shot on Hi8 in interlaced 60 fps, with some scenes shot on 16 mm film in 24 fps. Shown ...
The film is the second IMAX documentary to feature the Blue Angels, following Greg MacGillivray's The Magic of Flight (1996). [10] Creating a film for IMAX theaters required larger cameras. It was a challenge for the film crew to find places to put cameras because they were too large to put inside airplane cockpits or on airplane wings.
Matthew McConaughey will narrate the new 3D documentary “Superhuman Body: World of Medical Marvels,” set for release April 12 on Imax and other giant screen theaters. The doc from MacGillivray ...
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
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