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Legitimate theatre [a] is live performance that relies almost entirely on diegetic elements, with actors performing through speech and natural movement. [2] [3] Traditionally, performances of such theatre were termed legitimate drama, [4] [2] [3] while the abbreviation the legitimate refers to legitimate theatre or drama and legit is a noun referring both to such dramas and actors in these dramas.
Part of an avant-garde season of music featuring the New York Philharmonic conducted by Leonard Bernstein, most performances had received lukewarm responses. This one, with Cage as performer, was met with boos and hisses. Allegedly, the orchestra failed to take the music seriously, and in so doing, effectively sabotaged it.
The Lyceum Theatre (Broadway) article cites three sources for the proposition that it is the "oldest continuously operating legitimate theater", which all seem to mean no more than that it is the only Broadway theatre that made it all the way through the 20th century without ever playing films or being used (even briefly) as something other ...
A William Hogarth painting based on The Beggar's Opera (c. 1728), a key antecedent of musical theatre. Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance.
Another form of theatre music is incidental music, which, as in radio, film and television, is used to accompany the action or to separate the scenes of a play. The physical embodiment of the music is called a score , which includes the music and, if there are lyrics, it also shows the lyrics.
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
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Musical historicism signifies the use in classical music of historical materials, structures, styles, techniques, media, conceptual content, etc., whether by a single composer or those associated with a particular school, movement, or period.