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"Turn Me On" is a song by John D. Loudermilk that was first recorded and released by Mark Dinning in 1961 as the B-side to his single "Lonely Island". Other notable versions are by Nellie Rutherford and Nina Simone. [4] Norah Jones released her version as the last single from her debut album Come Away with Me on May 12, 2003.
The album was produced by a team of various producers, including Salaam Remi and Troy Taylor. It includes Lyttle's biggest hit "Turn Me On" and the second single "Last Drop", both recorded with contribution from Jamaica dancehall artist Spragga Benz, and the cover version of "Sign Your Name" by Terence Trent D'Arby.
"Turn Me On" is the debut single of Vincentian singer Kevin Lyttle. It was the lead single from his self-titled debut album.The song was originally a soca ballad released in 2002 on the VP Records sublabel Waist Line Muzik, [1] remade into a dance hit for the US release.
"Let Me Hold You (Turn Me On)" is a song by American DJs Cheat Codes and Dutch DJ Dante Klein. Released by Spinnin' Records on July 1, 2016, the song is largely a cover of Kevin Lyttle 's 2003 hit " Turn Me On ", though it does include new lyrics.
"Turn Me On" is a song by English DJ Riton and Dutch producer Oliver Heldens featuring English-American singer Vula. It was released on 13 September 2019 through Ministry of Sound Recordings. The drop fully incorporates the main melody from Yazoo 's 1982 classic " Don't Go " while some of the lyrics reference 1977 song "Doctor Love" by American ...
The cover was highly controversial and remains so: in 2008, the album’s Wikipedia page was placed on a blacklist by the Internet Watch Foundation as they believed the image could be regarded as ...
"Turn Me On" is a song by French DJ David Guetta from his fifth studio album Nothing but the Beat. Vocals are provided by rapper and singer Nicki Minaj , whose second studio album Pink Friday: Roman Reloaded features the song as a bonus song on its deluxe version.
Kathleen C. Fennessy of allmusic, seeing Turn Me On as an improvement over the band's previous album, gave the album three out of five stars [1] Critics of the Trouser Press lauded the band's music for "demonstrat[ing] abundant junk-cinema wit" and "show[ing] continued development and structural strength."