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Khufukhaf was a son of pharaoh Khufu, half-brother of pharaoh Djedefre and full brother of pharaoh Khafre and prince Minkhaf. [2] His mother might have been Queen Henutsen; the latter's pyramid is next to his mastaba tomb. [3] His wife was named Nefertkau II and she was buried with him in Giza. [4] [5]
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
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Khufukhaf I and his wife Nefertkau II: Partial title list: Vizier, hereditary prince, administrator of Buto, priest of Khufu, King's son, King's son of his body, Sole companion. [4] Dynasty IV (Khufu) Son of Khufu. Was elevated to vizierate after the completion of his tomb. A statue was set up in his chapel to record that. G 7210 +7220: Double ...
The Westcar Papyrus (inventory-designation: P. Berlin 3033) is an ancient Egyptian text containing five stories about miracles performed by priests and magicians.In the papyrus text, each of these tales are told at the royal court of king Khufu (Cheops) (Fourth Dynasty, 26th century BCE) by his sons.
Khufukhaf II (meaning "Khufu raised him"; died c. 2430 BC [1]) was an ancient Egyptian high official during the Old Kingdom period. Likely born during the 4th Dynasty , Khufukhaf died during the reign of king Nyuserre Ini of the 5th Dynasty .
Nefertkau II was an Ancient Egyptian noble lady, the wife of Prince Khufukhaf I, son of pharaoh Khufu. [1] Nefertkau and Khufukhaf had several children including two sons named Wetka and Iuenka, as well as an unnamed daughter. [2] Both sons Wetka and Iuenka appear in the tomb of Khufukhaf and Nefertkau offering papyrus.
Khufu's name was dedicated to the god Khnum, which might point to an increase of Khnum's popularity and religious importance.In fact, several royal and religious titles introduced at this time may point out that Egyptian pharaohs sought to accentuate their divine origin and status by dedicating their cartouche names (official royal names) to certain deities.