Search results
Results from the WOW.Com Content Network
Sebastian Westcott was Master of the Children of Paul's in the years 1557–82; in his era, the boys performed 27 times at court, more than any other troupe, adult or child. In 1560–1572 Master of the Revels Sir Thomas Benger used them throughout his tenure, as later mentioned in William Shakespeare ' play Hamlet , Act 2 Scene 2.
Austen herself was an avid theatregoer and an admirer of actors like Kean. In childhood she had participated in full-length popular plays (and several written by herself) that were supervised by her clergyman father, performed in the family dining room and at a later stage in the family barn where theatrical scenery was stored. [39] [40]
Costumes and Scripts in the Elizabethan Theatres. Edmonton: University of Alberta Press. ISBN 978-0-88864-226-4. Maclennan, Ian Burns (1994). "If I were a woman": A study of the boy player in the Elizabethan public theatre (PhD thesis). Mann, David Albert (1991). The Elizabethan Player: Contemporary Stage Representation. Routledge Library Editions.
To embed this file in a particular language use the lang parameter with the appropriate language code, e.g. [[File:20220801 Introversion - Shyness - Social anxiety disorder - comparative chart.svg|lang=en]] for the English version.
The Statute of Artificers 1563 or the Artificers and Apprentices Act 1563 (5 Eliz. 1. c. c. 4), also known as the Statute of Labourers 1562 , [ 1 ] was an act of the Parliament of England , under Queen Elizabeth I , which sought to fix prices, impose maximum wages, restrict workers' freedom of movement and regulate training.
The Oxford Companion to Children's Literature (Oxford: Oxford University Press, ISBN 978-0-19-211582-9) s.v. "Young Elizabethan". This British magazine or academic journal–related article is a stub .
Nos. 12-3176, 12-3644 IN THE UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT CHRISTOPHER HEDGES, et al., Plaintiffs-Appellees, v. BARACK OBAMA, individually and as
The Elizabethan Stage Society was a theatrical society dedicated to putting on productions of drama from the Elizabethan and Jacobean eras, particularly (but not exclusively) those of William Shakespeare. It was founded in 1895 by William Poel.