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A pair of okobo with a woven bamboo top surface. Okobo (おこぼ), also referred to as pokkuri, bokkuri, or koppori geta (all onomatopoeic terms taken from the sound okobo make when walking), [1] are traditional Japanese wooden sandals worn by young girls for Shichi-Go-San, young women during Coming of Age Day and apprentice geisha in some regions of Japan.
A traditional Japanese drawstring bag or pouch, worn like a purse or handbag (vaguely similar to the English reticule), for carrying around personal possessions. A kind of sagemono. Koshihimo (腰紐, lit. ' hip cord ') A narrow strip of fabric used to tie the kimono, nagajuban and ohashori in place while dressing oneself in kimono. They are ...
During the Early Middle Ages, brocade fabrics were available only to the wealthiest of people as the Byzantine emperor charged extreme prices for the fabric. The designs woven into brocade fabrics were often Persian in origin. It was also common to see Christian subjects depicted in the complex weaves of the fabric. When these luxurious fabrics ...
Saga Nishiki (佐賀錦, Saga-nishiki) is a form of brocading from Saga Prefecture, Japan. It is a unique form of brocading in that Japanese paper is used as the warp. This paper is coated in either gold, silver or lacquer. The weft is a silk thread which is dyed. As the technique is time-consuming, only several inches are produced each day. [1]
It is used to make traditional Japanese clothes, textile room dividers, sails, and other traditional cloth items. Tanmono ( 物 , mono is a placeholder name [ clarification needed ] ) are woven in units of tan , a traditional unit of measurement for cloth roughly analogous to the bolt , about 35–40 centimetres (14–16 in) by about 13 yards ...
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
Katazome (型染め) is a Japanese method of dyeing fabrics using a resist paste applied through a stencil, typically a rice flour mixture applied with a brush or a tool such as a palette knife. Unlike yūzen, stencils are used repeatedly to make a repeating pattern. Pigment is added by hand-painting, immersion dyeing, or both.
Tapestry-weave fabrics such as tsuzure-ori were also popular, as was the use of weft brocade (nishiki). By the 19th century, family crests, or mon , were added on the lining side of the fukusa beginning in the late 18th century, and tassels were placed at each corner so that the fukusa could be picked up without touching the fabric.
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