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"Later, a cop arrests the conspirators. In the next scene, they escape from jail." → "A cop arrests the conspirators, but they escape from jail." "In the opening scene, a mother swears revenge for her son's death." → "A mother swears revenge for her son's death." "The film ends as the lovers reunite in the final scene." → "The lovers ...
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
A backstory can be mentioned before the point at which it is revealed in the narrative, or an in medias res opening scene of a film might not be mentioned at the beginning of the plot summary. If the summary follows the order in which events are presented in a non-chronological narrative, out-of-universe language such as "the story begins in ...
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
During a scene where Ernest tries to help give advice to his young friend Kenny after he gets bullied while looking for a place to build a tree house, Ernest recounts a fictional story of Botswana rebelling against the Ottoman Empire, wherein he portrays a Julius Caesar-like figure and at one point recites a paraphrased version of the line ...
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Elizabeth Hurley has revealed that she struggled to film certain scenes in the first Austin Powers film due to her getting “terrible giggling fits” and claims you can even see her laughing at ...
Each scene should be a response to the one that came before it. Something happens that makes the character react or change. It can be physically, emotionally, or both. Then the character must decide what to do next. The previous scene's ending triggers the next scene's beginning. Just like the whole story, each scene has a beginning, middle ...