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Song Artist(s) Weeks at number one Ref. 2020 January 4 "Under the Graveyard" Ozzy Osbourne: 3 [a] [2] January 25 "Killing Me Slowly" Bad Wolves: 1 [3] February 1 "Attention Attention" Shinedown: 1 [4] February 8 "Inside Out" Five Finger Death Punch: 2 [5] February 22 "History of Violence" Theory of a Deadman: 1 [6] February 29 "Inside Out" Five ...
The song was in its third week at number one on January 4, 2020, reaching the top for the first time on December 21, 2019. The following week, on January 11, 2020, Post Malone 's " Circles " returned to the number-one spot, another carry-over from the 2010s; it originally reached number one on November 30, 2019.
The Weeknd (pictured) has four songs on the Year-End list, with "Save Your Tears" (with Ariana Grande) and "Blinding Lights" ranking at #2 and #3; in addition, "Blinding Lights", previously the biggest performing song of 2020, was crowned by Billboard as the most successful Hot 100 single of all time, dethroning Chubby Checker's "The Twist". [3]
For 2020, the list was published on December 3, calculated with data from November 23, 2019, to November 14, 2020. [1] Billboard ' s top Hot 100 artist of 2020 was The Weeknd, [2] whose "Blinding Lights" was the number-one Hot 100 song of the year. It was one of two songs he placed on the list.
Alternative Airplay is a record chart published by the music industry magazine Billboard that ranks the most-played songs on American modern rock radio stations. Introduced in September 1988, [1] the chart is based on airplay data compiled from a panel of national rock radio stations, with songs being ranked by their total number of spins per week. [2]
Elvis Presley had five songs on the year-end top 50, the most of any artist in 1956, including "Heartbreak Hotel" and "Don't Be Cruel", the top two songs of the year. The Platters had three songs on the year-end top 50. This is a list of Billboard magazine's top 50 singles of 1956 according to retail sales. [1]
"The Last Question" is a science fiction short story by American writer Isaac Asimov. It first appeared in the November 1956 issue of Science Fiction Quarterly and in the anthologies in the collections Nine Tomorrows (1959), The Best of Isaac Asimov (1973), Robot Dreams (1986), The Best Science Fiction of Isaac Asimov (1986), the retrospective Opus 100 (1969), and in Isaac Asimov: The Complete ...
It is the first song in the bands 20 year career to top the chart. [55] Meet Me at the Altar, pop punk upstarts with 2 million Spotify streams at the time of releasing only 2 songs, was signed to Fueled by Ramen, and releases their major label debut EP, Model Citizen. [56] The band is described as "saving pop punk" by The New York Times. [57]