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The term is used in the Bhagavad Gita: [3] 3:35 "Better is one's own law of works, swadharma, though in itself faulty than an alien law well-wrought out; death in one's own law of being is better, perilous is it to follow an alien law." [4] and 18:47 "Better is one's own law of works, though in itself faulty, than an alien law well-wrought out.
This article lists Urdu-language films in order by year of production.Below films are mostly from Pakistan along with some Indian Urdu movies. For a full list of Pakistani films, including Punjabi language, Bengali language films and Urdu see List of Pakistani films.
The monetary association was again revised to ₹ 1,50,000 to both the producers and directors in 2008 at the 56th awarding ceremony where producer Akshay Parija and director Prashanta Nanda's Odia language film Jianta Bhoota (meaning "The Living Ghost") was the winner for its portrayal of lives of Dongria Kondh tribal people residing in the ...
Pages in category "Urdu-language Indian films" The following 125 pages are in this category, out of 125 total. This list may not reflect recent changes. *
The 1960s is often called the golden era of Pakistani cinema, and it was then that the first generation of Pakistani cinema's legends were introduced. As black and white films became obsolete, colour films such as Munshi Dil's Azra in 1962, Zahir Raihan's Sangam (first full-length coloured film) in 1964, and Mala (first
In a 2004 review of the film's DVD release, John Beifuss of The Commercial Appeal called the film "arguably the find of the year, for cult movie fans", writing: "A mind-bending fusion of Hammer-style vampirism with the exotic song-and-dance numbers that are all but mandatory for movies made in Pakistan and India, [Zinda Laash] is both derivative and innovative, campy and scary."
Pages in category "Urdu-language Pakistani films" The following 200 pages are in this category, out of approximately 411 total. This list may not reflect recent changes .
Aliya, an ambitious and full of dreams girl who craves to become a big dancer and Sikandar Hayat Khan a.k.a. Bao, Aliya's neighbour who loves her. Being neighbours, they both have good relation with each other but Aliya has never thought about it. When Bao confesses his feelings for her, she denies straighly as she wants to focus on her dream.