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Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
Following is a list of Italian painters (in alphabetical order) who are notable for their art. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
In his writings and art criticisms during the mid-1960s art critic and artist Donald Judd claimed that illusionism in painting undermined the artform itself. Judd implied that painting was dead, claiming painting was a lie because it depicted the illusion of three-dimensionality on a flat surface. Judd claimed that painting needed to recognize ...
Selfportrait, c. 1717. Giovanni Antonio Pellegrini (29 April 1675 – 2 or 5 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. [1]
Andrea Pozzo (Italian: [anˈdrɛːa ˈpottso]; Latinized version: Andreas Puteus; 30 November 1642 – 31 August 1709) was an Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician.
Sergio Zanni (born in Ferrara, 1942) is an Italian painter and sculptor. After obtaining the Diploma at the Institute of Arts 'Dosso Dossi' in Ferrara, Italy, he graduated from the Academy of Arts (Accademia delle Belle Arti) in Bologna. He taught in the Institute of Arts 'Dosso Dossi' until 1995. For his research in sculpturing he utilized ...
Luigi Lucioni was born on November 4, 1900, in Malnate, Italy, which lies in a mountainous region approximately 30 miles north of Milan, in the foothills of the Alps near the border between Italy and Switzerland.
The Macchiaioli (Italian pronunciation: [makkjaˈjɔːli]) were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour.
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