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Mirror Mirror included appearances by 10cc's longtime collaborators Rick Fenn on one track and Andrew Gold on two tracks, touring members Steve Pigott and Gary Wallis on one track, and notable guest performances by Paul McCartney on two tracks: "Yvonne's the One" co-written by McCartney and Stewart in February 1985 during the sessions for Paul's Press to Play album, but remade and completed on ...
3 8 78 — — 4 4 4 4 31 UK: Gold [11] AUS: Gold [12] CAN: Gold [13] Bloody Tourists: Released: September 1978; Label: Mercury Records; 3 3 74 12 58 2 2 4 3 69 CAN: Platinum [13] NED: Platinum [14] NZ: Platinum [15] Look Hear? Released: March 1980; Label: Mercury Records; 35 38 72 40 — 21 40 3 14 180 Ten Out of 10: Released: November 1981 ...
A few of the songs were added to the 10cc live set, while the song "Son of Man" later became the opening theme for 10cc shows with Godley providing the video. [44] Kevin Godley also joined 10cc live on several occasions. A new 10cc touring member, Keith Hayman (keyboards), switched with Mike Stevens in 2006 and continued to do so until 2011.
10cc is the debut album by the British rock band 10cc, first released in 1973. It was recorded at Strawberry Studios in Stockport, which was part-owned by guitarist and engineer Eric Stewart, and released on Jonathan King's UK Records label. The album reached number 36 in the UK Albums Chart.
The album charted at No. 37 on the UK Albums Chart [4] and later received a platinum certification. [5]Chris Jones from BBC Music wrote that "The impresario (Jonathan King) also gave them their name (look it up on Wikipedia if you need to know why) and between 1972 and 1978 they racked up 12 dazzling top 20 hits; all collected here."
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The album features the then-new line-up of 10cc after the departure of Kevin Godley and Lol Creme in 1976. The trio of Eric Stewart, Graham Gouldman and Paul Burgess who recorded the most recent 10cc album, Deceptive Bends, that was issued earlier that year, were joined by Rick Fenn, Stuart Tosh and Tony O'Malley.
[3] The wordless tape-loop vocals used by the band in their ground-breaking hit " I'm Not in Love " are also clearly audible in the slow sections of the song. Record World called it "a spirited tour-de-force of vocal and production technique with an irresistible hook" and "a great sound."