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A sentence is written without spaces and a space is typically used to mark the end of a clause or sentence. Tibetic The Tibetan script uses two different full stops: tshig-grub ( U+0F0D ། TIBETAN MARK SHAD ) marks the end of a section of text, while the don-tshan ( U+0F0E ༎ TIBETAN MARK NYIS SHAD ) is used to mark the end of a whole topic.
An unusual example is The Stand wherein he uses lyrics from certain songs to express the metaphor used in a particular part. Epigraph, consisting of an excerpt from the book itself, William Morris's The House of the Wolfings. Jack London uses the first stanza of John Myers O'Hara's poem "Atavism" as the epigraph to The Call of the Wild.
Quotation marks may be used to indicate that the meaning of the word or phrase they surround should be taken to be different from (or, at least, a modification of) that typically associated with it, and are often used in this way to express irony (for example, in the sentence 'The lunch lady plopped a glob of "food" onto my tray.' the quotation ...
[1] [2] The band Sounds of Sunshine had a Top 40 hit in the United States with a song titled "Love Means You Never Have to Say You're Sorry" in 1971. "Love means never having to say you're..." is the opening sentence in the popular song "Can't Help but Love You" by The Whispers, from their album named after the movie, issued in 1972.
Examples: "Barbara Allen" and "John Henry" Literary ballad: poems adapting the conventions of folk ballads, beginning in the Renaissance. Examples: “La Belle Dame sans Merci” by John Keats and “Annabel Lee” by Edgar Allan Poe. Epic (or epos): an extended narrative poem, typically expressing heroic themes.
Bible: Song of Songs 8:7: A Many-Splendoured Thing: Han Suyin: Francis Thompson, "The Kingdom of God" The Mermaids Singing: Val McDermid: T. S. Eliot, "The Love Song of J. Alfred Prufrock" The Millstone: Margaret Drabble: Bible: Matthew 18:6: The Mirror Crack'd from Side to Side: Agatha Christie: Alfred, Lord Tennyson, "The Lady of Shalott ...
A caesura is also described by its position in a line of poetry: a caesura close to the beginning of a line is called an initial caesura, one in the middle of a line is medial, and one near the end of a line is terminal. Initial and terminal caesurae are rare in formal, Romance, and Neoclassical verse, which prefer medial caesurae.
As the epilogue would frame the end of the play it would allow the speaker to both simultaneously perform and reflect on the character. In combining both the speaker's persona and character, Felicity Nussbaum called this the "double consciousness". This invites the audience to reflect on each moment and its meaning behind it.