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Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [2] Bakri Siregar wrote positively of Salah Asuhan, considering the diction unparalleled in its contemporaries and the characters well fleshed-out. [3]
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
Tjinta di Batas Peron (Love at the Lorry's Edge; 1971) Mawar Rimba (Jungle Rose; 1972) Pengantin Tiga Kali (Married Three Times; 1972) Salah Asuhan (Wrong Upbringing; 1972) Aku Tak Berdosa (I Did Nothing Wrong; 1972) Titienku Sayang (My Dear Titien; 1972) Tjintaku Djauh Dipulau (My Titien, Far Away; 1972) Wajah Seorang Pembunuh (Face of a ...
Hans Bague Jassin (31 July 1917 – 11 March 2000), better known as HB Jassin, was an Indonesian literary critic, documentarian, and professor.Born in Gorontalo to a bibliophilic petroleum company employee, Jassin began reading while still in elementary school, later writing published reviews before finishing high school.
Teeuw was born in Gorinchem, Netherlands, on 12 August 1921. [3]Teeuw conducted a field study of Indonesian literature in Yogyakarta between 1945 and 1947. [3] While in Yogyakarta, he worked on translating the Bhomakhawya, described as one of the most difficult kakawins.
Hans Ras, The Babad Tanah Jawi and its reliability.Questions of content, structure and function. In: C.D. Grijns and S.O. Robson (eds.), Cultural contact and textual ...
Nurbaya confiding to her mother after Samsu's move to Batavia; she feared he no longer loved her. In Padang in the early 20th century Dutch East Indies, Samsulbahri and Sitti Nurbaya–children of rich noblemen Sultan Mahmud Syah and Baginda Sulaiman–are teenage neighbours, classmates, and childhood friends.
He had become a chairman of Dewan Perfilman Nasional (the National Film Board). After that, the situation of Indonesian cinema deteriorated. He then focused on writing screenplays for soap operas, adapted from Indonesian novels, such as Sitti Nurbaya, Salah Asuhan, and Sengsara Membawa Nikmat. [5] Sani died on 11 January 2004. [2]