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The video for "Animals" was released on the same day as the song was released on 20 October 2020. It was directed by Dan Searle. [8]Chris Krovatin of The Pit described the music video as "including flashes of beautiful and inspiring imagery that, while open to interpretation, are none the less devoid of any specific meaning...powerful imagery that at the end of the day is more about ...
Pages in category "Songs written for animated films" The following 167 pages are in this category, out of 167 total. This list may not reflect recent changes .
[3] Dannii Leivers of NME was positive towards the release and stated that "For Those That Wish to Exist isn't exactly the kind of sonic reinvention one-time scene mates Bring Me the Horizon pulled off with 2019's Amo, but it pushes Architects into unexplored territory and a bold new future where even bigger venues and audiences surely await."
On 30 March 2016, the band's record label Epitaph uploaded the first part of a video documentary on the writing and recording process surrounding All Our Gods Have Abandoned Us, to their official YouTube channel. In the video, the band spoke on how they had entered the recording process with much more confidence than they previously exhibited ...
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Although a popular attraction, the Screen Songs series was retired after nine years. [4] The Screen Songs were revived in 1945 starting with "When G.I. Johnny Comes Home" and continued into the early 1950s using an animated ball with a bounce cycle rendered on Pan cells cel animation. Some modern video editing programs offer a "bouncing ball ...
Andy Price of NME was positive towards the release and stated that "Buoyed by the energy of getting back in the studio for in-the-flesh writing and recording, the Brighton five-piece's new array of songs make for a fiery and relentless dish. It's an album that solidly caps the canon of a band that has always quested to expand the language of ...
On 26 March 2012, Architects released a typography-styled music video for "These Colours Don't Run". [30] The music video was designed to "capture the madness that is America, be it good or bad". Tom Searle wanted the video "[to get] people thinking and talking. And in the land of the free—you know nothing comes for free!"