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Self-insertion is a literary device in which the author writes themselves into the story under the guise of, or from the perspective of, a fictional character. [1] The character, overtly or otherwise, behaves like, has the personality of, and may even be described as physically resembling the author or reader of the work.
An insincere flatterer is a stock character in many literary works. Examples include Wormtongue from J. R. R. Tolkien's The Lord of the Rings, Goneril and Regan from King Lear, and Iago from Othello. Historians and philosophers have paid attention to flattery as a problem in ethics and politics.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Must be a defining trait – Characters with access to vast powers (such as magical spells, advanced technology and genetic engineering) who are theoretically capable of this superhuman feature or ability – but who have neither made regular use nor provided a notable example of this extraordinary or supernatural feat – are not listed here.
Frequently, the author surrogate is the same as the main character and/or the protagonist, and is also often the narrator.As an example, the author surrogate may be the one who delivers political diatribe, expressing the author's beliefs, or expound on the strengths and weaknesses of other characters, thereby communicating directly the author's opinion on the characters in question.
Primary identification, however, is defined by psychoanalysts as a "state" of experienced oneness with the object, where the distinction between the self and non-self is suspended. [1] According to Freud, hysterical identification is a secondary form of identification, denoting a process whereby a change occurs in the self-concept of the ...
Flanderization is a widespread phenomenon in serialized fiction. In its originating show of The Simpsons, it has been discussed both in the context of Ned Flanders and as relating to other characters; Lisa Simpson has been discussed as a classic example of the phenomenon, having, debatably, been even more Flanderized than Flanders himself. [9]
Supporting characters differ from minor characters because they have complex backstory of their own, [2] desires, and emotions. [3] While this is usually in relation to the main character, rather than entirely independently, developed supporting characters add layers and dimension to the story and the protagonist. These back stories can ...