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The Basilica Palladiana is a Renaissance building in the central Piazza dei Signori in Vicenza, north-eastern Italy.The most notable feature of the edifice is the loggia, which shows one of the first examples of what have come to be known as the Palladian window, designed by a young Andrea Palladio, whose work in architecture was to have a significant effect on the field during the Renaissance ...
The painting shows a fictitious scene with buildings by the Italian architect Andrea Palladio. The Palazzo Chiericati in Vicenza can be seen at the left edge of the picture, the building on the right is the Basilica Palladiana in Vicenza. The bridge is Palladio's project for the Rialto Bridge in Venice, which, however, was not executed.
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Basilica Palladiana: Centrally located in Vicenza's Piazza dei Signori, of which Palladio himself said that "it might stand comparison with any similar work of antiquity" Teatro Olimpico: Designed for the Accademia Olimpica (Olympic Academy) and begun to be built in 1580, when Palladio died. The wooden scenes are by Vincenzo Scamozzi: Palazzo ...
Philadelphia Museum of Art: Virgin and Child with the Infant St. John the Baptist: 1490–1500: Tempera on panel: diameter 74 cm: São Paulo Museum of Art: Holy Trinity: 1491–1493: Tempera on panel: 215 × 192 cm: London, Courtauld Institute of Art: Virgin and Child with St. John the Baptist: 1491–1493: Tempera on panel: 47.65 × 38.1 cm ...
One of the most important works of his early Vicenza period is the Basilica Palladiana in Vicenza (1546), the palace of the city government. Palladio called it "Basilica", explaining that the functions and form of a modern city hall resembled those of an ancient Roman Basilica. He did not construct the building from the ground up, but added two ...
When one compares the Gothic arches of the Palazzo Ducale in Venice with the loggias of Palladio's Basilica, inspired by the classical language of ancient Rome (and even more if one compares the 16th-century (Cinquecento) palazzi of Vicenza with those on the Grand Canal), the Vicentines’ desire to emphasise their cultural autonomy from the architectural models of La Serenissima becomes quite ...
Each of the five women – Stephanie Seymour, Cindy Crawford, Christy Turlington, Tatjana Patitz and Naomi Campbell – was a noted muse, friend, and frequent subject of the photographer's fashion and fine art work. [2] The photograph is one of the original images that ushered in the 1990s pop-cultural phenomenon of the supermodel. [3]
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