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Edison records was one of the early record labels that pioneered sound recording and reproduction, and was an important and successful company in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year.
Edison Records logo from 1910s sleeve. The Edison Diamond Disc Record is a type of phonograph record marketed by Thomas A. Edison, Inc. on their Edison Record label from 1912 to 1929. They were named Diamond Discs because the matching Edison Disc Phonograph was fitted with a permanent conical diamond stylus for playing them.
Nevertheless, the Blue Amberol format was the longest-lived cylinder record series employed by the Edison Company. [1] These were designed to be played on an Amberola, a type of Edison machine specially designed for celluloid records that did not play older wax cylinders. Blue Amberols are more commonly seen today than earlier Edison 2-minute ...
As time passes, fewer copies are available on eBay and in record stores, making those records—especially copies in good condition—more rare. Seek Controversial Covers
This makes them extraordinarily appealing to collectors, who want to own the very first copies of a work, says Vasilis Terpsopoulos, manager of the rare book department at New York City's Strand ...
Blue Amberol Records was the trademark name for cylinder records manufactured by Thomas A. Edison, Inc. in the US from 1912 to 1929. They replaced the 4-minute black wax Amberol cylinders introduced in 1908, which had replaced the 2-minute wax cylinders that had been the standard format since the late 1880s.
Brothers91/istockphotoVinyl record enthusiasts know that scoring a valuable record is a thrill like no other. So the owners of these one-of-a-kind records must be particularly pleased with their ...
In the early 1920s, the Edison Records "Diamond Disc" label–here featuring the popular duo of Billy Jones and Ernest Hare–were intended for playback at 80 rpm. The earliest record players were purely mechanical devices with no amplification. The sonic energy was simply the amount of drag that the needle could place on the spinning disk.
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