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The vajra and bell are used in many rites by a lama or any Vajrayana practitioner of sadhana. The vajra is a male polysemic symbol that represents many things for the tantrika. The vajra is representative of upaya (skilful means) whereas its companion tool, the bell which is a female symbol, denotes prajna (wisdom). [19]
Dorje is the Tibetan equivalent of the Sanskrit vajra and therefore the term appears frequently in Tibetan terminology relating to Vajrayana Buddhism. [2] A Dorje Lopön is usually well educated and trained in tantric practice, and is therefore a well respected figure. [3] They might be the heads of monasteries or spiritual communities.
The Kālacakra system's Completion Stage (rdzogs rim) practices include a set of practices known as the "Six Phase Yoga" (Ṣaḍaṅga-yoga, sbyor drug) also known as the "Six Vajra-Yogas". This system has a close connection to previous Indian systems of six phased yogas, the first of which appears in the Maitri Upanishad. [119]
In Chinese, he is known as Mìjī Jīngāng (密跡金剛) or Jīngāng Mìjī (金剛密跡) both meaning "The Vajra-being of Secret Traces". He is a vajra-holding protector deity from Buddhist scripture. In Buddhist iconographic form, he wields a vajra mallet "vajra-pāṇi" (a diamond club, thunderbolt stick, or sun symbol) and bares his ...
Vajrayana is a system of tantric lineages, and thus only those who receive an empowerment or initiation may practice the more advanced esoteric methods. In tantric deity yoga, mantras, or bijas are used during the ritual evocation of deities that are said to arise out of the uttered and visualized mantric syllables.
The Vajraśekhara Sūtra is an important Buddhist tantra used in the Vajrayāna schools of Buddhism, but can refer to a number of different works. In particular a cycle of 18 texts studied by Amoghavajra, which included both Tattvasaṃgraha Tantra, and the Guhyasamaja Tantra, a Tibetan text which appears to be composed of two works grouped together and to further confuse matters in the ...
Vajrasattva is an important figure in the tantric Buddhism of the Newar People of the Kathmandu Valley. He represents the ideal guru, and he is frequently invoked in the guru maṇḍala, the foundational ritual for all other Newar Buddhist rituals and the daily pūjā for Newar priests (vajrācārya s).
A golden cursed tool with the power of lightning, and shaped similarly to adornments of the electric-themed Vajra named “Kamutoke” also makes an appearance. In the Seventh Touhou game, Perfect Cherry Blossom, the boss of the Extra Stage uses a spellcard called "Feast of the Twelve General Gods".