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Bidadari Surgamu (transl. Your Heavenly Angel) is an Indonesian television drama series that aired from 13 March 2023 on SCTV and streams on Vidio. [1] The show was produced by Sridhar Jetty under SinemArt and Ess Jay Studios.
After a year-and-a-half, SCTV returns for season three. Returning cast members are Joe Flaherty , Eugene Levy , Andrea Martin , and Dave Thomas ; they are joined by new cast members Robin Duke , Rick Moranis , and Tony Rosato .
Second City Television, commonly shortened to SCTV and later known as SCTV Network and SCTV Channel, is a Canadian television sketch comedy show about a fictional television station that ran intermittently between 1976 and 1984.
Surya Citra Televisi (SCTV) is a subsidiary of Surya Citra Media. SCTV commenced broadcasting in 1990 covering the city of Surabaya, and began operating nationwide in 1993. SCTV headquarters later moved to Jakarta. In May 2013, Indosiar Karya Media was absorbed into SCM. In 2017, SCM took over SinemArt from MNC Media due to very low ratings.
As originally conceived, Count Floyd was the alter-ego of another SCTV character: Floyd Robertson, co-anchor of the SCTV News (The name was a joke based on that of Canadian news anchor Lloyd Robertson, but other than the name and occupation Floyd Robertson bears no real resemblance to his real-life counterpart).
An ad that closed out Season 46 spoofs AMC's teaming with Vin Diesel to promote his upcoming F9; this parody finds Diesel (Beck Bennett) celebrating the little minutiae ("The tickets… the sticky floors… that hand-dryer in the bathroom that's louder than a choo-choo train") that makes going to "the mooo-vies" so great.
Liputan 6 (The 6 Report) is an Indonesian television news program that broadcasts on SCTV and Moji. Its slogan is Aktual, Tajam, dan Terpercaya (Current, Sharp, and Trusted). [1] The first program, Liputan 6 Petang was launched on May 20, 1996, by the first news anchored, Riza Primadi.
SCTV's programming during this time became more diverse, with a focus on both locally produced shows and imported content that appealed to a wider range of viewers. This transformation marked a turning point in the channel’s history, helping it solidify its position in the competitive Indonesian media landscape.