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The Martin D-28 uses a dreadnought design, a naval term adopted and used by many to describe its larger body dimensions, hence the "D" designation. When first created, the dreadnought guitar was seen as less favorable to the standard, smaller-sized guitars of its time.
Expensive guitars may have luxury pickguards made from exotic woods, [1] furs, skins, gems, precious metals, Mother of Pearl and abalone pearl. The pickguard is a very common site for an autograph, since the signed pickguard can easily be detached and moved to another guitar or sold separately as a piece of memorabilia.
The body outline resembles a standard Fender Stratocaster, while the single-ply plastic pickguard and chrome control plate is reminiscent of early incarnations of the Fender Precision Bass. The neck is essentially that of a Fender Telecaster, with same square heel and peg head designs. The bridge is a top-loaded hardtail plate secured by 5 ...
From the 1920s through the 1950s, D'Andrea Manufacturing would dominate the world's international pick market, providing to major businesses such as Gibson, Fender, and Martin. [9] One of the main reasons celluloid was so popular as guitar pick material was that it very closely imitated the sound and flexibility of a tortoise shell guitar pick.
At some point, Gruhn Guitars sold 2 Martin D-45s previously belonging to Wilma Lee Cooper, dated 1938 (this one with snowflake inlays and an oversize pickguard, previously owned by Lee Moore, Gruhn inventory number AA6291, serial number not known) and 1942 (s/n 82569, Gruhn inventory number AA6290; the latter is mis-labelled a D-43 on the Gruhn ...
Martin D-18 80221 November 1954 – June 1955 Purchased at O.K. Houck Piano Co. in Memphis, trading in his Martin 000-18 [5] Sold for US$1,320,000 at a gottahaverockandroll auction on August 1, 2020 1953 Martin 00-21 1954 – 1960 Used by Elvis for performances during the mid 1950s [Note 1] 1955 Martin D-28: April 1955 – October 1956
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