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With Billy Breathes, it's the closest they got to making what I would say is a good stoner album. You know what I mean: you put on the CD, you fire up a big one and you just go down that road. There hadn't been a good stoner record since Dark Side Of The Moon. Billy Breathes got close. I keep telling Trey Anastasio we can make a better one."
"Free" is a song by Vermont-based jam band Phish, released as the first single from their 1996 album Billy Breathes.The track reached number 7 on the Billboard Adult Alternative Airplay chart, becoming their first song to reach the top 10 on that (or any) chart. [1]
Kelly is a unisex given name derived from an Anglicized version of the Irish masculine name Ceallach or a transferred use of the Irish surname O'Ceallaigh. O'Ceallaigh, which means "descendant of Ceallach", was Anglicized as Kelly or O'Kelly; the meaning of the personal name Ceallach is uncertain.
Kelly has said again and again that she is a fan of all genres, not just pop and country. As an Idol alum, she enjoys singing almost anything, which led to a 'fan request' segment her and her ...
Joy received generally favorable reviews upon its release, with a 65/100 critic score on Metacritic, based on nine reviews. [8] The New York Times commented that "Steve Lillywhite’s clear and ungimmicky production makes Joy sound like the band members onstage responding to one another," [9] while Billboard simply stated "Joy is a journey not to be missed."
Arguably the finest song on the album, however, is an Oldham original – “London May”, a track that shares a name with the friend who asked him to write a piece of music for a montage scene ...
Kelly Clarkson just can’t seem to catch her breath when it comes to battling her musical match, Anne Hathaway. “Anne Hathaway is never invited back,” Clarkson, 42, joked during a game of ...
The Story of the Ghost is the seventh studio album by American rock band Phish, released by Elektra Records on October 27, 1998. The album features an emphasis on the jazz-funk influenced "cow-funk" style, which the group had been experimenting with in concert throughout 1997 and 1998.