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  2. Bryter Layter - Wikipedia

    en.wikipedia.org/wiki/Bryter_Layter

    Bryter Layter is the second studio album by English folk singer-songwriter Nick Drake.Recorded in 1970 and released on 5 March 1971 by Island Records, it was his last album to feature backing musicians, as his next and final studio album, Pink Moon, had Drake perform all songs solo.

  3. Secondary chord - Wikipedia

    en.wikipedia.org/wiki/Secondary_chord

    Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...

  4. The Hazey Janes - Wikipedia

    en.wikipedia.org/wiki/The_Hazey_Janes

    The Hazey Janes - Mini LP (Measured Records CD, 2004) Hotel Radio (Measured Records CD, 2006) Hands Around The City (Unreleased, 2008) The Winter That Was (Armellodie Records CD/Download, 2011) Houseroom - Collaboration EP w/ Michael Marra (Tob Records CD, 2012) Language of Faint Theory (Armellodie Records CD/Vinyl/Download, 2014)

  5. Closely related key - Wikipedia

    en.wikipedia.org/wiki/Closely_related_key

    In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.

  6. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    The accompaniment performers translate the Roman numerals to the specific chords that would be used in a given key. In the key of E major, the diatonic chords are: E maj7 becomes I maj7 (also I ∆7, or simply I) F ♯ m 7 becomes II m7 (also II −7, II min7, IIm, or II −) G ♯ m 7 becomes III m7 (also III −7, III min7, IIIm, or III −)

  7. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    One simple chord substitute for IV is the "ii" chord, a minor chord built on the second scale degree. In the key of C major, the "ii" chord is "D minor", which is the notes "D, F, and A". As there are two shared notes between the IV and "ii" chords, a melody that works well over IV is likely to be supported by the "ii" chord.

  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    In this ordering, the progression ends with a double plagal cadence in the key of the dominant (in the Mixolydian mode) and could also be respelled ii–bVII–IV–I, opening with a backdoor turnaround. The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6]

  9. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    Aeolian harmony [10] is harmony or chord progression created from chords of the Aeolian mode. Commonly known as the " natural minor " scale, it allows for the construction of the following triads (three note chords built from major or minor thirds ), in popular music symbols: i, ♭ III, iv, v, ♭ VI, and ♭ VII.