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- Nazi propaganda poster in Russian for occupied Soviet territories. Polish anti-Soviet propaganda poster during the Polish–Soviet War, depicting Leon Trotsky. [a] Anti-Sovietism or anti-Soviet sentiment are activities that were actually or allegedly aimed against the Soviet Union or government power within the Soviet Union. [1]
Posters used the language spoken in the region they were to be used in, and thus propaganda posters using the Arabic and Latin scripts exist, in addition to Cyrillic. [ 15 ] [ 18 ] Arabic script in posters had begun to be phased out by the 1930s, as the Soviet government promoted Latin-based scripts for speakers of languages such as Azerbaijani ...
Anti-Soviet agitation and propaganda (ASA) (Russian: антисове́тская агита́ция и пропага́нда (АСА)) was a criminal offence in the Soviet Union. Initially, the term was interchangeably used with counter-revolutionary agitation. The latter term was in use immediately after the October Revolution of 1917.
Young Pioneers, with their slogan: "Prepare to fight for the cause of the Communist Party" An important goal of Soviet propaganda was to create a New Soviet man.Schools and Communist youth organizations such as the Young Pioneers and Komsomol served to remove children from the "petit-bourgeois" family and indoctrinate the next generation into the "collective way of life".
The 21st Congress brought in a new, radical programme of anti-religious propaganda that would stay in place for the next twenty-five years. [13]A new anti-religious periodical appeared in 1959 called Science and Religion (Nauka i Religiia), which followed in the tradition of Bezbozhnik in aggressiveness and vulgarity, but was much less vicious.
As propaganda tools directed at the masses—particularly the illiterate—themes of anti-Westernization and nationalism depicted socialist realism in films by negatively portraying elements of capitalist countries while positively depicting the Soviet Union. Elements of anti-Westernization included censoring religion and technological ...
Paix et Liberté published, distributed and posted hundreds of thousands of posters in France in the 1950s. These posters were reproduced in the form of vignettes, attacking the Soviet Union and communist ideology, but also the French Communist Party and its leaders, such as Maurice Thorez and Jacques Duclos, accusing them of being agents of the USSR.
The Soviet political poster has shown a successful past application of visual propaganda in political strife. The primary focus of Grigorian's collection is on political propaganda, hence such famous categories as cinema, theatre, circus, sports and advertisement have been deliberately excluded, unless they have a clear underlying political ...