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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
I'm Glad I Can Make You Cry is a World War I song written and composed by Charles R. McCarron and Carey Morgan. The song was published in 1918 by Jos. W. Stern & Co. in New York, NY . The sheet music cover, illustrated by Starmer, depicts photos of Alice Joyce & Evart Overton, as well as Bessie Hamilton and Gus Hall's Minstrels.
This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons. Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art. In recent times, graphical icons, both static and animated, have joined the traditional text-based emoticons; these are commonly known as ...
Four years after that, in 1711, Handel used the music again, this time for his London opera Rinaldo and its act 2 aria "Lascia ch'io pianga" ("Let me weep"), a heartfelt plea for her liberty addressed by the character Almirena to her abductor Argante. Rinaldo was a triumph, and it is with this work that the aria is chiefly associated.
"I'm Sorry I Made You Cry" is a traditional pop and jazz standard song, written and composed by songwriter Nick .J. Clesi, first published by Triangle Music in New Orleans in 1916. [1] It was republished for national audience in 1918 by Leo Feist, Inc. in New York City , with sheet music cover depicting a US World War I soldier embracing a ...
"Cry" is a song released by the English music duo Godley & Creme on 11 March 1985. It was included on the duo's album The History Mix Volume 1 . The song reached number 16 on the Billboard Hot 100 chart, becoming Godley & Creme's lone top 40 hit in the US apart from their former band, 10cc .
The concerto, as described in its name, is scored for solo piano accompanied by an ensemble of wind instruments.The instrumentation of the wind section is what would be found in a standard symphony orchestra: two flutes, piccolo, two oboes, cor anglais, two clarinets, two bassoons (second bassoon doubling contrabassoon), four horns, four trumpets, three trombones, and tuba.
In notation, a grace note is distinguished from a standard note by print size. A grace note is indicated by printing a note much smaller than an ordinary note, sometimes with a slash through the note stem (if two or more grace notes, there might be a slash through the note stem of the first note but not the subsequent grace notes).
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