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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Eduardo Masferré (April 18, 1909 – June 24, 1995) was a Filipino-Catalan photographer who made important documentary reports about the lifestyle of native people in the region of the Cordillera in the Philippines at the middle of 20th century. [1] He is regarded as the Father of Philippine photography. [2]
The pioneers of photography in the Philippines were Western photographers, mostly from Europe.The practice of taking photographs and the opening of the first photo studios in Spanish Philippines, from the 1840s to the 1890s, were driven by the following reasons: photographs were used as a medium of news and information about the colony, as a tool for tourism, as an fork anthropology, as a ...
Return to the Philippines: 9 January 1945 Carl Mydans: Lingayen Gulf, Philippines [s 2] [s 4] Yalta Conference: February 1945 U.S. Army Signal Corps: Yalta, Crimea [s 2] Raising the Flag on Iwo Jima: 23 February 1945 Joe Rosenthal: Iwo Jima, Japan Large format The photograph depicts the raising of the U.S. flag on Mount Suribachi during the ...
Pages in category "Filipino photographers" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. A. Juan Paolo ...
Pamella Bordes (born 1961), worked as an international photojournalist for Gamma Press Photos, exhibitions include notable images from India and Cambodia, also self-portraits; Sue Darlow (1960–2011), photographer in the UK and India; Serin George (fl 2000s), fashion photographer and model; Gauri Gill (born 1970), contemporary photographer
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
Her self-portraits resembled fashion magazine images with an added more contemporary context. What is consistent throughout these diverse photographs is the way in which Abban used clothing to visibly articulate a feminine identity that played with the traditional and contemporary in an artful hybridity described as urbane and trans-Atlantic.