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The Family (released as Malavita and Cosa Nostra in some countries) is a 2013 French black comedy crime film co-written and directed by Luc Besson, starring Robert De Niro, Michelle Pfeiffer, Tommy Lee Jones, Dianna Agron, and John D'Leo.
My Blue Heaven is a 1990 American crime comedy film directed by Herbert Ross, written by Nora Ephron, and starring Steve Martin, Rick Moranis, and Joan Cusack. This is the third film in which Martin and Moranis starred together. It has been noted for its relationship to Goodfellas, which was released one month later.
Goodfellas is No. 94 on the American Film Institute's "100 Years, 100 Movies" list and moved up to No. 92 on its AFI's 100 Years...100 Movies (10th Anniversary Edition) from 2007. In June 2008, the AFI put Goodfellas at No. 2 on their AFI's 10 Top 10 —the best ten films in ten "classic" American film genres—after polling over 1,500 people ...
Films about the Mafia, criminal organizations that bear a strong similarity to the Italian Mafia.The central activity of such an organization would be the arbitration of disputes between criminals as well as the organization and enforcement of illicit agreements between criminals through the use of or threat of violence.
Little Caesar (1931). The years 1931 and 1932 saw the genre produce three enduring classics: Warner Bros.' Little Caesar and The Public Enemy, which made screen icons out of Edward G. Robinson and James Cagney, respectively, and Howard Hawks' Scarface starring Paul Muni, which offered a dark psychological analysis of a fictionalized Al Capone [4] and launched the film career of George Raft.
Inside two ‘PayPal Mafia’ members’ plans to turn PayPal’s meteoric rise and internal drama into a Hollywood movie Jessica Mathews May 10, 2024 at 3:09 PM
This is a movie stitched together less by its plot mechanics than the pleasure of watching Denzel smirk, scowl and smile, in leisurely scenes mixed in with all the murder.
The film has been praised for its accuracy in depicting Mafia rituals, which are said to be more authentic than those in The Godfather or GoodFellas.However the film failed to please audiences or critics: Leonard Maltin found it "pretentious" and "unintentionally comic" and Daniel Rosenthal describes it as "providing the most risible chunks of modernised Shakespeare in screen history."
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