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Hush, Little Baby" is a traditional lullaby, thought to have been written in the Southern United States. The lyrics are from the point of view of a parent trying to ...
In the first commercial release on the 1956 album Offbeat Folksongs, Gibson did not mention the history of the song.The next two artists to release it, Cynthia Gooding (as "All My Trials" in 1957 [5]) and Billy Faier (as "Bahaman Lullaby" in 1959 [6]), both wrote in their albums' liner notes that they each learned the song from Erik Darling.
"Hush Little Baby" is a song by English rapper Wretch 32 which appears on his debut studio album, Black and White. The song is track thirteen on the standard edition of the album, and one of eleven collaborations; it is currently set to be released as the fifth and final single from the album on 27 May 2012. [1]
Hush, Little Baby" has been observed cross-culturally and is known to have a natural capacity for soothing and energizing infants, as well as nurturing caregiving bonds. [26]: 216 Many lullabies, regardless of the meaning of their words, possess a peaceful hypnotic quality. Others are mournful or dark, like a lament.
This is a song very similar to 'Hush Little Baby' Taj Mahal's soulful version on his album Dancing the Blues (1993) features a duet with Etta James. Lloyd and Harry sing an a cappella version in the 1994 film Dumb And Dumber. [20] Toby Keith reached No. 27 on Hot Country Songs in 2004 with a cover featuring his daughter, Krystal Keith.
The album contains 23 classic children’s songs. [2] Track listing. If You're Happy and You Know It" – 1:09 ... "Hush, Little Baby" – 1:39
The song is commonly thought to be of African-American origin. [1] An early published version is in "A White Dove", [2] a 1903 story for kindergarteners by Maud McKnight Lindsay (1874–1941), a teacher from Alabama and daughter of Robert B. Lindsay. [3] In the story, "a little girl" sings to "her baby brother" what is footnoted as "an old ...
Lyrically, it is similar to the traditional lullaby "Hush Little Baby". "Bo Diddley" was recorded in Chicago at his first formal session for Leonard Chess on March 2, 1955. [3] Diddley, on guitar and vocals, was accompanied by Frank Kirkland on drums, Jerome Green on maracas, and Billy Boy Arnold on harmonica. [3] [4]