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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
Bratman describes the score as "uninspired hackwork" and states that Shore's Celtic music representing the Shire (played on a "Celtic assortment of instruments", namely bodhrán, dulcimer, Celtic harp, musette, mandolin, and guitar [70]) is inappropriate, given that the hobbits' homeland was inspired by the English Midlands where Tolkien lived.
The music of The Hobbit film series is composed, orchestrated, and produced by Howard Shore, who scored all three The Lord of the Rings films, to which The Hobbit film trilogy is a prequel series. It continues the style of The Lord of the Rings score, using a vast ensemble, multiple musical forms and styles, many leitmotifs, and unusual ...
The music on the album features edited-down compositions and is presented in chronological order as heard in the theatrical film, with the exception of some cues in "Amon Hen" and the end credits mix from "The Breaking of the Fellowship". Some cues are based on earlier drafts of the composition, written as the film was being edited.
The Danish Tolkien Ensemble has set all the songs in Tolkien's The Lord of the Rings to music.. The music of Middle-earth consists of the music mentioned by J. R. R. Tolkien in his Middle-earth books, the music written by other artists to accompany performances of his work, whether individual songs or adaptations of his books for theatre, film, radio, and games, and music more generally ...
Pages in category "English tin whistle players" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. C.
Bergin was exposed to the music of many renowned musicians from an early age, but her style is particularly influenced by flute player Packie Duignan and the whistle playing of Willie Clancy. She plays the whistle "left-handed", with the right hand covering the upper tone holes, unlike most whistle players who play with the left hand on top. [3]
Bear McCreary (born February 17, 1979) is an American composer of film, television, and video game scores. His work includes the scores of the television series Battlestar Galactica (2004), Agents of S.H.I.E.L.D., Black Sails, Outlander, The Walking Dead, The Lord of the Rings: The Rings of Power, The Serpent Queen, Percy Jackson and the Olympians, Halo, the video games Call of Duty: Vanguard ...