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During the Balkan Wars and World War I he led the Montenegrin Army with his father (the King), Janko Vukotić, and Mitar Martinović.On 1 March 1921 Danilo was proclaimed the rightful King of Montenegro (upon the death of his father) and became head of the government-in-exile until 7 March 1921 when, for reasons that are still unclear, Danilo renounced his royal claims and headship of the ...
Danilo I Petrović-Njegoš (Serbian Cyrillic: Данило I Петровић-Његош; 25 May 1826 – 13 August 1860) was the ruling Prince of Montenegro from 1851 to 1860. The beginning of his reign marked the transition of Montenegro from a traditional theocratic form of government ( Prince-Bishopric ) into a secular Principality .
Danilo was succeeded by two close kinsmen, first his nephew Sava II Petrović Njegoš and then his nephew Vasilije Petrović Njegoš, who for more than two decades was able to push aside the unworldly Sava and become effectively the highest authority in Montenegro and its representative abroad. Danilo's choice of Sava II clearly had a lot to do ...
In 1697, the office was made hereditary in the Petrović-Njegoš family. [15] However, since Orthodox bishops are required to be celibate, the crown passed from uncle to nephew. In 1852, Prince-Bishop Danilo II opted to marry and to secularize Montenegro, becoming Prince Danilo I. [15] [16] His successor, Nikola I, raised Montenegro to a ...
Danilo Petrović-Njegoš may refer to: Danilo I, Metropolitan of Cetinje (1670–1735), Metropolitan of Cetinje Danilo I, Prince of Montenegro (1826–1860), ruling Prince of Montenegro
And Love Has Vanished (Serbian: Dvoje) is a 1961 Yugoslavian drama film directed by Aleksandar Petrović. It was entered into the 1962 Cannes Film Festival . [ 1 ]
Upload file; Search. Search. ... Download QR code; Print/export ... Wikidata item; Appearance. move to sidebar hide. Danilo Petrović may refer to: Danilo I ...
Typical "film noire" [1] plot of the film is not the main message of the film. The film is about fighting good against evil, and how criticism of government by Petrović reached another level as battle between good, in the character of mentally challenged Goca, and evil, in most of the characters in the film.