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Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records.It was initially met with a lukewarm critical response in the United States, although it peaked at number 10 on the Billboard Top LPs chart.
"God Only Knows" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a baroque-style love song distinguished for its harmonic innovation and complexity, unusual instrumentation, and subversion of typical popular music conventions, both lyrically and musically.
The Beach Boys (Brian, Dennis, and Carl Wilson, Mike Love, Al Jardine, and Bruce Johnston), with Terry Melcher and engineer Chuck Britz, during the Pet Sounds sessions, 1966. For Pet Sounds, Brian desired to make "a complete statement", similar to what he believed the Beatles had done with their newest album Rubber Soul, released in December ...
The approach to “Pet Sounds” for me was to celebrate the recording of it as an ensemble, and then to think of the Beach Boys being either a band together or a solo singer with backing vocals.
"Don't Talk (Put Your Head on My Shoulder)" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a ballad about nonverbal communication between lovers.
"Pet Sounds" is an instrumental by American rock band the Beach Boys from their 1966 album Pet Sounds. Composed by Brian Wilson, it was originally called "Run James Run", as Wilson intended it to be used as the theme of a James Bond film. It was then titled "Pet Sounds", the title of the album on which it appears.
Beach Boys fans will finally hear all of the famed surf pop group's pre-Capitol Records recordings in a new two-CD set, Becoming the Beach Boys.
The Beach Boys revisited the Electro-Theremin for two more songs, "Good Vibrations" (1966), an outtake from Pet Sounds that was released as a single, and "Wild Honey", another single that served as the title track of their 1967 album. Tanner was reenlisted for the recording of both tracks. [41] [nb 2]
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