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Les Grandes Baigneuses, or The Large Bathers, is a painting by Pierre-Auguste Renoir made between 1884 and 1887. The painting is in the Philadelphia Museum of Art, in Philadelphia. [1] [2] The painting depicts a scene of nude women bathing. In the foreground, two women are seated beside the water, and a third is standing in the water near them.
Carolina Ceca (born 1979), contemporary artist and art historian based in Tokyo; Mari Chordà (born 1942), painter, poet, feminist; La Chunga (born c. 1938), flamenco dancer, painter; Anabel Colazo (born 1993), illustrator and cartoonist; Colita (born 1940), pseudonym of Isabel Steva i Hernández, photographer; Ana Corbero (born 1961), painter ...
The Art of medieval Spain, A.D. 500-1200. New York: The Metropolitan Museum of Art. 1993. ISBN 0870996851. Berg Sobré, Judith. Behind the Altar Table: The Development of the Painted Retablo in Spain, 1350-1500. Columbia, Miss. 1989. Brown, Jonathan, Painting in Spain, 1500-1700 (Pelican History of Art), Yale University Press, 1998, ISBN 0300064748
In 1915, her art was displayed in an exhibition organized by Ramón Gómez de la Serna [1] at the Museo de Arte Moderno (Madrid). She was contacted to teach art in Salamanca (Madrid), but was disappointed by the experience. [9] In 1916, before the end of the war, Blanchard moved to Paris, where she would spend the rest of her life. [1]
The art historian Svetlana Alpers suggests that, by portraying the artist at work in the company of royalty and nobility, Velázquez was claiming high status for both the artist and his art, [65] and in particular to propose that painting is a liberal rather than a mechanical art. This distinction was a point of controversy at the time.
Mit Borrás (born 1982) installation, multimedia and conceptual art; Carla Berrocal (born 1983), comics illustrator; Patricia Dauder (born 1983), multidisciplinary conceptual artist; Camila Cañeque (1984–2024), conceptual, performance artist and philosopher; Claudia Maté (born 1985), digital media artist and curator
Portrait of Mariana of Austria is a 1652–1653 oil-on-canvas painting by Diego Velázquez, the leading artist of the Spanish Golden Age, existing in a number of versions. Its subject, Doña Mariana (known as Maria Anna), was the daughter of Emperor Ferdinand III and Maria Anna of Spain. She was nineteen years old when the painting was completed.
Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. [1] The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings.