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Orpheus's mother taught him to make verses for singing. He is also said to have studied in Egypt. [54] Orpheus is said to have established the worship of Hecate in Aegina. [55] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia [56] and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens').
Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.
Hades is also a person, and he needs to get rid of those souls because he needs them to fully recover (Tantalus, Sisyphus, Ixion, and the Belides). [31] When the Furies agree to Juno's request, she happily returns to the heavens, where she is purified by Iris. [32] Orpheus travels out of the Underworld followed by the shade of his wife, Eurydice
In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Hades (/ ˈ h eɪ d iː z /; Ancient Greek: ᾍδης, romanized: Hā́idēs, Attic Greek: [háːi̯dεːs], later [háːdεːs]), in the ancient Greek religion and mythology, is the god of the dead and the king of the underworld, with which his name became synonymous. [2] Hades was the eldest son of Cronus and Rhea, although this also made him ...
The 2025 inductees to the Songwriters Hall of Fame have been announced, honoring some of the most influential figures in music history. This year's class includes legendary acts such as The Doobie ...
[2] In a way, Blanchot uses the myth to transcribe the creative process—Lynne Huffer suggests that “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's song.” [3] Blanchot believes that the myth itself is a fitting example of the necessity of obliqueness and indirection in approaching being ...