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The characters in Lynn Johnston's cartoon strip For Better or For Worse have extensive back stories. The birthdates of the characters given below were the characters' birthdates as shown on the strip's website [1] prior to the cartoonist's decision to re-boot the strip from 1 September 2008, returning the setting to the early years of John and Elly's marriage.
The biggest change to Xehanort's character in Kingdom Hearts II is how his doppelganger, the Heartless Ansem Seeker of Darkness, was revised to feel more like an imposter of the real Ansem the Wise, with more villainous traits. [3] Kingdom Hearts II features another Xehanort doppelganger, the Nobody Xemnas, who is the leader of Organization ...
AFI's 100 Years... 100 Heroes & Villains is a list of the one hundred greatest screen characters (fifty each in the hero and villain categories) as chosen by the American Film Institute in June 2003. It is part of the AFI 100 Years... series. The list was first presented in a CBS special hosted by Arnold Schwarzenegger.
Fëanor (Quenya pronunciation: [ˈfɛ.anɔr]) is a fictional character in J. R. R. Tolkien's The Silmarillion.He creates the Tengwar script, the palantír seeing-stones, and the three Silmarils, the skilfully forged jewels that give the book their name and theme, triggering division and destruction.
In line with the show's complexity, the name "Dubois" may be an homage to W. E. B. Du Bois, however, on the show it is pronounced in the French as "Dew-bwah" (/duː.bwɑː/) as opposed to the American English "Duboyce" (/duː.bɔɪs/), putting his character in a state of conflict. For example, in one episode, the neighborhood watch was ...
This character archetype of the 1930s → 1950s of a tough-talking, self-possessed, and independent woman — a good film role with much screen-time and character development who sparked against and vied with the male lead role, often Gary Cooper or Cary Grant — and was popularized in the film noir thrillers and screwball comedy films of ...
It differs from modern usage (Gendai kana-zukai) in the number of characters and the way those characters are used. There was considerable opposition to the official adoption of the current orthography, on the grounds that the historical orthography conveys meanings better, and some writers continued to use it for many years after.
Several scholars have noted that Tolkien makes use of character pairings. Brian Attebery, writing in The Cambridge Companion to Fantasy Literature, comments in its article on the literary theory of structuralism that while, like other fantasy authors, Tolkien's work "keeps its good and evil pretty much corralled separately", it can be seen "through a Lévi-Straussian lens, as offering multiple ...