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Georges Bataille's Story of the Eye is a 2004 American drama film based on the 1928 novel Story of the Eye by the French writer Georges Bataille. The film, directed by Andrew Repasky McElhinney, takes place in a seemingly abandoned house where a group of people engage in wordless acts of passion. The film covers a period from evening to morning ...
Story of the Eye (French: Histoire de l'œil) is a 1928 novella written by Georges Bataille as Lord Auch (literally, Lord "to the shithouse" — "auch" being short for "aux chiottes", slang for telling somebody off by sending him to the toilet), that details the increasingly bizarre sexual perversions of a pair of teenage lovers, including an early depiction of omorashi fetishism in Western ...
Elaine Stritch (February 2, 1925 – July 17, 2014) was an American actress, singer, and comedienne, known for her work on Broadway and later, television. She made her professional stage debut in 1944 and appeared in numerous stage plays, musicals, feature films and television series.
Sylvia is a 1965 American drama film directed by Gordon Douglas, written by Sydney Boehm, and starring George Maharis, Carroll Baker, and Peter Lawford. [ 2 ] [ 3 ] The film is based on the novel of the same name by E. V. Cunningham in 1960.
The Million Eyes of Sumuru, also known as The Million Eyes of Su-muru and Sumuru, is a 1967 British-Hong Kong spy film directed by Lindsay Shonte and starring Frankie Avalon, George Nader and Shirley Eaton. [1] It was produced by Harry Alan Towers and filmed at the Shaw Brothers studios in Hong Kong.
Trick of the Eye (also known as Primal Secrets) is a 1994 American made-for-television psychological thriller film starring Ellen Burstyn and Meg Tilly. Directed by Ed Kaplan, it is based on the 1992 novel of the same name by Jane Stanton Hitchcock .
Mesmerized (also known as Shocked and My Letter to George) is a 1985 drama film directed by Michael Laughlin and starring Jodie Foster, John Lithgow and Michael Murphy. [ 2 ] [ 3 ] Loosely based upon the Pimlico mystery , the film was a co-production between Australia, New Zealand, United Kingdom and United States with RKO Pictures .
I myself pioneered the dramatic use of still photographs (rather than paintings or prints) in a story-telling sequence for Arch Oboler’s 1950 Columbia feature ‘Five,’ and have for more than a decade continued development of this form—in my independent feature ‘The Naked Eye’ (1956), the featurette ‘The True Story of the Civil War ...