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WOW Worship: Blue was the first album in the WOW Worship series of compilation albums. It reached #70 on the Billboard 200 chart in 1999, and #1 on the Top Contemporary Christian chart. In the following year it reached #144 on the Billboard 200, and #2 on the Top Contemporary Christian chart. [ 2 ]
Andrew Hamilton from AllMusic gave the album 2.5 out of 5 stars stating that "For Bonnie Pointer's first LP on Motown, producer/hubby Jeffrey Bowen brought some new songs to the sessions this time. The most exciting, "Free Me from My Freedom," has a perky rhythm that's accented by a bubbly bass. Zesty backing voices matched Pointer's stinging ...
Best of the 'B' Sides is a compilation of B-sides by the English heavy metal band Iron Maiden, released on 4 November 2002 as part of the Eddie's Archive box set. [1] Each track was remastered and the set came with a running commentary from Rod Smallwood. [2]
Chuck Girard (born on August 27, 1943) is an American musician, considered a pioneer of Contemporary Christian music. [1] He moved to Santa Rosa, California in his early teens, becoming a band member of the Castells and later the surf-rock band The Hondells.
The album was a success, peaking at #4 on the Top Contemporary Christian charts. Track listing "Be Ye Glad" (Michael K. Blanchard) [4:17] ... "The Name Above All ...
The Name Above the Title is an album by the folk-rock singer John Wesley Harding, released in 1991. [ 8 ] [ 9 ] It was his third successive Frank Capra -inspired album title, coming from the director's autobiography.
"Billy the Mountain" is a Frank Zappa piece first made available on the album Just Another Band from L.A. in 1972. The original recording, which took more than a half-hour to perform, was from a live tour performance on August 7, 1971, in Los Angeles, performed by Zappa with his band the Mothers and prominently featured the musical duo Flo & Eddie. [1]
The 4-disc CD version of the album features 73 tracks - with a further 3 tracks available on a digital-only basis - making for a total of 76 tracks. Among the 76 recordings is Bob Dylan's original 1964 recording of the title track. Of the other 75 tracks, 69 were brand-new studio recordings purpose-made for the album.