Search results
Results from the WOW.Com Content Network
Felix the Cat is a cartoon character created in 1919 by Pat Sullivan and Otto Messmer during the silent film era. An anthropomorphic young black cat with white eyes, a black body, and a giant grin, he is often considered one of the most recognized cartoon characters in history. Felix was the first fully realized recurring animal character in ...
A cat who is an art forger. Korky the Cat: Korky the Cat: James Crighton [44] A black and white cat whose gags ran in The Dandy. Krosp: Girl Genius: Phil Foglio and Kaja Foglio: Emperor of All Cats. [45] Krazy Kat: Krazy Kat: George Herriman: Black cat who is in love with Ignatz the mouse. Yet Ignatz always hurles a brick at his head. [46] Kuro ...
In high school, Clampett drew a full-page comic about the nocturnal adventures of a cat, later published in color in a Sunday edition of the Los Angeles Times. King Features took note and offered Clampett a "cartoonist's contract" beginning a $75 a week after high school. King Features allowed him to work in their Los Angeles art department on ...
Image credits: Vachon, John,, 1914-1975,, photographer. Before color photography could exist, scientists had to first understand how light and color actually work. The journey began in the 17th ...
A Black and white robotic cat tuxedo. Kuro Love Hina: A Black Cat cure Kuroneko-sama: Trigun: A black cat (also what his name literally means) who appears in every single episode of Trigun. Kwazii Octonauts: A humanized orange cat with a mysterious pirate past. He has a habit for getting into trouble on his many adventures. Kyo Sohma: Fruits Basket
Robert Dennis Crumb (/ k r ĘŚ m /; born August 30, 1943) is an American cartoonist who often signs his work R. Crumb.His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
[12] [15] Black and White has both order and chaos, expressed through the story, illustrations, and design of the book. [12] The chaos of the story increases, reaching its climax when the only colors used are black on white on a page, before order is restored at the end of the stories and at the end of the book. [16]
The series expanded in 1953 to include world history as a sub-series called World Landmark Books, and a second sub-series of larger-format books illustrated with color artwork or black and white photographs was introduced in the 1960s as Landmark Giant, which would continue releasing new titles beyond the end of the main series until 1974 ...