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The last verse of the hymn was written as an imitation of George Herbert's The Temple poem as a tribute by Crossman to Herbert. [3] In the 21st century, the language of the hymn is sometimes updated by hymnal editors, a move which is often lamented by traditional hymnologists who feel that the newer language loses the original meaning and nuance.
We Are Climbing Jacob's Ladder (also known as Jacob's Ladder) is an African American slave spiritual based in part on the Biblical story of Jacob's Ladder.It was developed some time before 1825, and became one of the first slave spirituals to be widely sung by white Christians.
"Just as I Am" is a Christian hymn, written by Charlotte Elliott in 1835, first appearing in the Christian Remembrancer, of which Elliott became the editor in 1836. The final verse is taken from Elliott's Hours of Sorrow Cheered and Comforted (1836).
[4] [5] There are other similarities between Featherston's poem and camp-meeting songs published in the 1820s onward. [6] [7] [8] In 1876 Adoniram Gordon added music to Featherston's poem. Featherston died at the age of 27, well before his poem had become a well-known inspirational hymn. The poem is believed to have been his only publicly ...
Unsure of her relationship with Christ, she penned words of assurance about Jesus loving her "just as I am." William B. Bradbury composed music for her lyrics and published the song in 1849. The hymn was translated into many languages, with tens of thousands of people committing their lives to Christ during the playing of it. [ 3 ]
"Jesus Loves Me" is a Christian hymn written by Anna Bartlett Warner (1827–1915). [1] The lyrics first appeared as a poem in the context of an 1860 novel called Say and Seal , written by her older sister Susan Warner (1819–1885), in which the words were spoken as a comforting poem to a dying child. [ 2 ]
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"I Am a Pilgrim" is a traditional Christian hymn from the United States, first documented in the mid-19th century. It forms part of the repertoire of gospel , folk , and bluegrass artists. The song combines elements from an "[o]ld hymn entwined with Poor Wayfaring Stranger (Sacred Harp - 1844).