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A collection of lenses a DSLR owner might have: 50mm F1.4, 17-40mm F4, 100mm F2.8 Macro, 24-70mm F2.8, 70-200mm F2.8. This article details lenses for single-lens reflex and digital single-lens reflex cameras (SLRs and DSLRs respectively). The emphasis is on modern lenses for 35 mm film SLRs and for "full-frame" DSLRs with sensor sizes less than ...
The Canon EF 28–90mm f / 4–5.6 is a full frame SLR zoom lens, also often included as a kit lens with Canon EOS film cameras. The maximum aperture is f / 4 at 28mm, reducing to f / 5.6 at 90mm. When set to 90mm, this will create a moderate amount of background blur for portrait photography. There are several versions of this lens.
Using existing lenses meant that the field of view was reduced by around 1.6×, but had the advantage of a larger lens selection. Creating a new lens system on the other hand gave the possibility of creating smaller and lighter lenses as they had a smaller image circle to cover. APS SLR cameras were too expensive for the high-end amateur market ...
The 400mm f / 4 DO IS II USM, which replaced an earlier version of the same lens in 2014, [3] is one of only two Canon lenses that make use of diffractive optics (the other is the EF 70–300mm f/4.5–5.6 DO IS USM). The use of diffractive optics allows the lens to be significantly lighter than it might otherwise be.
The EF-M lens mount is one of Canon's two new systems for mirrorless cameras, the other being the RF mount. The M system has an 18 mm flange focal distance (compared to 20 mm for RF and 44 mm for EF and EF-S) and a 47 mm throat diameter (compared to 54 mm for EF, EF-S, and RF). As it is designed for use with an APS-C -sized image sensor, it ...
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It allowed distortionless photos to be taken quickly for the first time, and was a standard lens design for 60 years. [1]: 59 As of 2020, the Laowa 9mm f/5.6 lens is the world's widest rectilinear lens for full frame cameras. [2] The vast majority of video and still cameras use lenses that produce nearly rectilinear images.
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