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Print/export Download as PDF ... Cell Block Tango" is a song from the 1975 musical Chicago, with music composed by John Kander and lyrics written by Fred Ebb.
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the Jazz Age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of ...
"All That Jazz" is a song from the 1975 musical Chicago.It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical.The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
"Colour My World" is the first significant hit by Chicago to largely abstain from their heavy woodwind and brass oriented sound. It became a popular "slow dance" song at high school proms, university dances and weddings during the 1970s. [4] [5] [6] Chicago continues to perform the song, either on its own, or as part of the Ballet.
Monet, 34, took Us back to 2010 while singing “Chicago,” a song that her Victorious character, Trina Vega, performed during season 1 of the show. “This is the kind of energy we’re taking ...
"Dialogue" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago V (1972). On the album the song is over 7 minutes long and is divided in two parts. [ 1 ] An edited version was released as a single in October 1972, eventually reaching #24 on the U.S. Billboard Hot 100 . [ 2 ]
It was released as the B-side of the single "25 or 6 to 4", likewise taken from Chicago; that single went to number four on the Pop Singles chart in June 1970. The song was also the very first musical composition from bassist Peter Cetera , who was by this time contributing more than on the debut album released the year before.