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A scherzo (/ ˈ s k ɛər t s oʊ /, UK also / ˈ s k ɜːr t-/, Italian:; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata.
The beginning of Scherzo No. 4 alternates two contrasting textures and harmonies—first subdued chords and then faster arched figures that rise and fall with the dynamics. In summary, Chopin established the one-movement scherzos as a genre in which the piece grew out of the opening fragmentary gestures, heard at the outset in the initial short ...
The Symphony No. 6 in A minor by Gustav Mahler is a symphony ... is that the correct order of the middle movements of Mahler's Sixth Symphony is Andante-Scherzo." ...
The Scherzo in F-sharp minor is one of the few surviving examples of Dmitri Shostakovich's early works, [1] along with five of his Eight Preludes for piano. [2] It is commonly dated as being written during the autumn or early winter months of 1919, the composer's first year at the Petrograd Conservatory (now the Saint Petersburg Conservatory), when he was aged 13.
The Scherzo No. 3, Op. 39, in C ♯ minor by Frédéric Chopin. He began composing it 1838 in the abandoned monastery of Valldemossa on the Balearic island of Majorca, Spain, and completed it back in France by the end of 1839. [1] This is the most terse, ironic, and tightly constructed of the four scherzi, with an almost Beethovenian grandeur.
The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony (German: Schicksalssinfonie), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, [1] and it is widely considered one of the cornerstones of western music.
Scherzo: Allegro vivo The scherzo is in 2 4 time. This is somewhat unusual, as scherzi in classical music of the time are traditionally in triple meter, although the name scherzo (literally meaning 'joke' in Italian) does not in itself imply this metric convention. Like other scherzi of its time, the movement is fast enough to be conducted in ...
Overture. (Andante con moto in E minor [2] – Allegro in E major and time [3]) (sketched and completed in April 1841) [1] Scherzo. Vivo, in 6 8 time and in C ♯ minor, [4] whose theme is based on that of the overture. [1] It has a trio section in D ♭ major, in contrasting 2 4 time [5] whose material reappears as the coda of the movement. [6 ...