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The Scherzo in F-sharp minor is one of the few surviving examples of Dmitri Shostakovich's early works, [1] along with five of his Eight Preludes for piano. [2] It is commonly dated as being written during the autumn or early winter months of 1919, the composer's first year at the Petrograd Conservatory (now the Saint Petersburg Conservatory), when he was aged 13.
A scherzo (/ ˈ s k ɛər t s oʊ /, UK also / ˈ s k ɜːr t-/, Italian:; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata.
This scherzo is scored for solo piano and has a duration of only two minutes. As is customary, the scherzo has an ABA structure and is in 3 4. The scherzo part itself starts in G minor, initially marked Allegro by Stravinsky, but later changed to Vivo, probably by Richter himself. [4] The trio is marked Moderato and modulates to G major. During ...
Based on a surviving movement from the partially destroyed early Piano Sonata in B minor. [10] Prelude Cello 1920–1921 Incomplete [10] The Gypsies, (based on the eponymous narrative poem by Alexander Pushkin) Opera (instrumentation unknown) 1920–1921 Incomplete. Only the vocal and piano score is extant. [11] Piano Sonata in B ...
The second movement is a tempestuous scherzo (ternary form) in compound duple meter in C minor, the same key as the first movement. Donald Francis Tovey argues that Brahms puts the scherzo in the same key as the first movement because the first movement does not sufficiently stabilize its own tonic and requires the second movement to "[furnish] the tonal balance unprovided for by the end of ...
Chopin's Pleyel upright piano in the Valldemossa Charterhouse, Mallorca, where George Sand and he worked during winter 1838–1839. Starting in the early 1830s, after his departure from Poland, Chopin's musical style changed significantly, entering a mature period with compositions of exceptional single-movement pieces on a monumental scale, stamped with his unmistakable signature.
The third movement, a scherzo and trio, begins in F minor with a musical quotation of the beginning of the finale of Felix Mendelssohn's Piano Trio No. 2, Op. 66. In contrast to the tumult of the scherzo, the trio in D ♭ major is calm and lyrical, and the accompanying bass too refers to Beethoven's "fate motif". Once the trio brings back the ...
The Symphony No. 6 in A minor by Gustav Mahler is a ... piano duet transcription (1906 ... order of the middle movements of Mahler's Sixth Symphony is Andante-Scherzo
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