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Andraé Edward Crouch / ˈ ɑː n d r eɪ / (July 1, 1942 – January 8, 2015) was an American gospel singer, songwriter, arranger, record producer and pastor. Referred to as "the father of modern gospel music" by contemporary Christian and gospel music professionals, [1] Crouch was known for his compositions "The Blood Will Never Lose Its Power", "My Tribute (To God Be the Glory)" and "Soon ...
Andrus and other original musicians and backing singers appeared alongside live video recordings of Presley to successfully recreate a 1970s-era Presley concert appearance. [4] On April 2, 1998, Sherman Andrus was inducted into the Gospel Music Hall of Fame twice, as a member of The Imperials and as a founding member of Andraé Crouch and the ...
[6] [7] Sounds of Blackness: Tramaine Hawkins: Jessye Norman & Kathleen Battle: Take 6: 1993: BeBe and CeCe Winans [8] 1994: The Winans [9] 1995 — 1996 Kirk Franklin and the Family [10] 1997 Whitney Houston and the Georgia Mass Choir [11] [12] BeBe and CeCe Winans: Kirk Franklin and the Family: Shirley Caesar: Take 6: 1998 God's Property [13 ...
Crouch, Bill Maxwell 1984 No Time to Lose: 1 Warner Bros. Crouch, Maxwell, Bruce Lowe, Phyllis Saint James 1994 Mercy: 16 Qwest Crouch, Scott V. Smith 1997 Pray: 9 Warner Bros. 1999 The Gift of Christmas: 17 2006 Mighty Wind: 19 Verity Records: Crouch, Luther "Mano" Hanes 2011 The Journey [b] Riverphlo Entertainment Crouch, Luther "Mano" Hanes
"My Tribute (To God Be the Glory)" is a gospel song written by American gospel singer and songwriter Andraé Crouch. He first recorded it in 1972 on his album Keep on Singin'. [1] It is considered one of Crouch's most well-known songs. It is sometimes included in Christian children's song books. [2]
This classical introduction is then followed by a chorale interlude arranged by Andrae and Sandra Crouch. The Andrae Crouch Singers are heard throughout the rest of the song as well. At the ending, Jackson recites a poem. This outro was also featured in his book Dancing the Dream. Two more edits were created for the Free Willy soundtrack.
The album was produced by Crouch and Scott V. Smith; it was recorded at Crouch's Woodland Hills home studio. [7] [8] Crouch chose from a pool of around 450 songs that he had written during his break from recording. [9] Quincy Jones, Crouch's label head, took a hands-off approach, allowing Crouch to do whatever he wanted during the recording ...
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