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He adds, Therefore, I say unto you, Take no thought for your life. [4] Glossa Ordinaria: That is, Be not withdrawn by temporal cares from things eternal. [4] Jerome: The command is therefore, not to be anxious what we shall eat. For it is also commanded, that in the sweat of our face we must eat bread. Toil therefore is enjoined, carking ...
Take therefore no thought for the morrow: for the morrow shall take thought for the things of itself. Sufficient unto the day is the evil thereof. The World English Bible translates the passage as: Therefore don’t be anxious for tomorrow, for tomorrow will be anxious for itself. Each day’s own evil is sufficient.
He who says here, Take no thought what ye shall speak, (1 Pet. 3:15.) has said in another place, Be ye always ready to give an answer to him that demandeth a reason of the hope that is in you. When it is a dispute among friends, we are commanded to be ready; but before the awful judgment, and the raging people, aid is ministered by Christ, that ...
But when they deliver you up, take no thought how or what ye shall speak: for it shall be given you in that same hour what ye shall speak. The New International Version translates the passage as: But when they arrest you, do not worry about what to say or how to say it. At that time you will be given what to say,
Matthew 5:22 is the twenty-second verse of the fifth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount.It is the first of what have traditionally been known as the 6 Antitheses.
Despite his initial reluctance to go solo, Saadiq did just that in 2002 with “Instant Vintage.” This single from the LP repurposed the hypnotic groove from Dr. Dre’s “Still D.R.E ...
"House of Love" is a song by American Christian music singer Amy Grant, recorded as a duet with country singer Vince Gill.It was released in November 1994 as the second single from her House of Love album in the United States and the fourth and final single from the album in the United Kingdom.
The ending couplet provides, according to Moore, an interesting twist when "deception and love making become one: to lie is to lie with" [39] However, Vendler has a slightly different take on the poem as a whole in response to the final volta. She notes that the pronouns "I" and "she" share a mutual verb, becoming "we" with "our" shared faults.