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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music , as its tonic is the lowest note on a standard-tuned guitar.
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.
An inverted chord is a chord with a bass note that is a chord tone but not the root of the chord. Inverted chords are noted as slash chords with the note after the slash being the bass note. For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Chord inversions and chords with other altered bass notes are notated analogously to regular slash chord notation. In the key of C, C/E (C major first inversion , with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5.
[3] For example, the first movement of Mozart's Piano Sonata No. 7, K. 309, modulates only to closely related keys (the dominant, supertonic, and submediant). [4] Given a major key tonic (I), the related keys are: ii (supertonic, [5] the relative minor of the subdominant) iii (mediant, [5] the relative minor of the dominant)
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