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Mucilage mixed with water has been used as a glue, especially for bonding paper items such as labels, postage stamps, and envelope flaps. [7] Differing types and varying strengths of mucilage can also be used for other adhesive applications, including gluing labels to metal cans, wood to china, and leather to pasteboard. [8]
Photographic emulsion is a light-sensitive colloid used in film-based photography. Most commonly, in silver-gelatin photography, it consists of silver halide crystals dispersed in gelatin. The emulsion is usually coated onto a substrate of glass, films (of cellulose nitrate, cellulose acetate or polyester), paper, or fabric.
Hand-colouring with watercolours requires the use of a medium to prevent the colours from drying with a dull and lifeless finish. Before the paint can be applied, the surface of the print must be primed so that the colours are not repelled. This often includes prepping the print with a thin coating of shellac, then adding grit before colouring ...
Some metals, such as platinum or gold, can protect the image. Others, such as iron (blue toner) or copper (red toner), may reduce the life of the image. [citation needed] Metal-replacement toning with gold alone results in a blue-black tone. It is often combined with a sepia toner to produce a more attractive orange-red tone.
In colour and chromogenic black-and-white photography, a similar development process is used except that the reduction of silver simultaneously oxidizes the paraphenylene colour developing agent which then takes part in the production of dye-stuffs in the emulsion by reacting with the appropriate couplers. There are three distinct processes ...
Use 20% aqueous solution of ferric chloride, it is necessary to immerse the objects in solution, dry and wax or varnish. [30] Gray-black for zinc. Use 20% aqueous solution of ferric chloride, the objects are immersed for 20 minutes, after the appearance of colour, objects should be washed, dried and waxed or varnished. [30] Black for aluminum
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
Damascening is the art of inlaying different metals into one another—typically, gold or silver into a darkly oxidized steel background—to produce intricate patterns similar to niello. The English term comes from a perceived resemblance to the rich tapestry patterns of damask silk.