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Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order , but with un- fluted columns and a simpler entablature with no triglyphs or guttae .
With the fall of Fascism, birth of Republic and the 1946 RIMA exhibition, Italian talents in interior decorating were made evident. With the Italian economic miracle, Italy saw a growth in industrial production and mass-made furniture. Yet, the 1960s and 1970s saw Italian interior design reach its pinnacle of stylishness.
Scallop shells received a particular share of favor, having been recently brought home from foreign seas, and was immediately seized by the designers in need of other shapes. The Flemings made seats that enclosed the sitter in the valves of this scallop, carved just rudely enough to excuse their eccentricity.
The Italian, specifically Tuscan, influence on architecture in Lebanon dates back to the Renaissance when Fakhreddine, the first Lebanese ruler who truly unified Mount Lebanon with its Mediterranean coast, executed an ambitious plan to develop his country. When the Ottomans exiled Fakhreddine to Tuscany in 1613, he entered an alliance with the ...
The estate is a total of 50 acres (200,000 m 2), of which 10 acres (40,000 m 2) contain the Italian Renaissance formal gardens, and 40 acres (160,000 m 2) are circulation and the native hammock. [17] [30] This beautiful landscape is packed with unique decor and "tons" of history. The complimentary audio tour provides a great selection-paced ...
Austrian Biedermeier sofa, c. 1815–1825, mahogany, upholstery (not original), Montreal Museum of Fine Arts (Montreal, Canada) The Biedermeier period was an era in Central European art and culture between 1815 and 1848 during which the middle classes grew in number and artists began producing works appealing to their sensibilities.
It incorporated references to Spanish Renaissance, Spanish Colonial, Italian Renaissance, French Colonial, Beaux-Arts, Moorish architecture, and Venetian Gothic architecture. Peaking in popularity during the 1920s and 1930s, the movement drew heavily on the style of palaces and seaside villas and applied them to the rapidly expanding coastal ...
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